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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

A Brief History of Allegorical Literature

by: Chris Milton

https://www.inc.com/ami-kassar/are-you-a-tortoise-or-a-hare-entrepreneur.html

While literature in the medieval and Middle Ages is a huge proponent of allegory, it is far from the only place we see this technique demonstrated. Allegory has been used for centuries, even before biblical ages. It is important to understand the roots of allegory to see why it became so popular in early English writings. We see allegory in Hebrew scriptures, the New Testament mainly from Jesus Christ, and even in artistic designs such as sculpture.  

The Bible has so much to offer when it comes to allegorical literature. We see many metaphors throughout both the Old and New Testaments. In the book of Isaiah, the author compares God’s people, the people of Israel, to a vineyard: 

“3And now, inhabitants of Jerusalem and people of Judah, judge between me and my vineyard.4What more was there to do for my vineyard that I have not done in it? When I expected it to yield grapes, why did it yield wild grapes?5And now I will tell you what I will do to my vineyard. I will remove its hedge, and it shall be devoured; I will break down its wall, and it shall be trampled down.6I will make it a waste; It shall not be pruned or hoed, and it shall be overgrown with briers and thorns; I will also command the clouds that they rain no rain upon it” (Isaiah 5: 3-6).  

https://entrenosotros.consum.es/en/grapes

In this passage, the speaker talks about his vineyard and that he is displeased that he did not grow fertile, satisfactory grapes. Since he is unhappy, he will stop tending the vineyard and let it grow wild until it dies on its own. The metaphor behind the passage is told form the point of view of God. God created the world and the people on it (the vineyard) and gave them everything he could. But instead of being grateful to God, his people sinned and became violent. The author is warning us not to turn our backs on God, but to worship him so that he does not turn his backs on us.  

A specific type of allegory that has been around for thousands of years is the fable. A fable is an oral storytelling tradition that is notable for using animals and objects as people to speak on a moral issue. This is effective because “by using animals to represent humans, storytellers are able to indirectly criticize human behavior” while still having a straightforward and easily identifiable lesson (Study.com, Study.com, study.com/academy/lesson/allegory-in-literature-history-definition-examples.html). One of the most famous fables is that of The Tortoise and the Hare in which a slow-moving tortoise and a speedy of arrogant hare race each other. The tortoise ends up besting the hare and the fable teaches the lesson, slow and steady wins the race.  

Another identifiable type of allegory is the parable. Parables are as old as the fable, differing in that they use people rather than animals to teach a lesson. Parables are often paired with biblical themes since Jesus Christ is well known for his delivery of parables to his disciples and the crowds he speaks to. One of his most famous parables is that of the sower: 

“”A sower went out to sow his seed; and as he sowed, some fell on the path and was trampled on, and the birds of the air ate it up. 6. Some fell on the rock; and as it grew up, it withered for lack of moisture. 7. Some fell among thorns, and the thorns grew with it and choked it. 8. Some fell into good soil, and when it grew, it produced a hundredfold.” As he said this, he called out, “Let anyone with ears to hear listen!” (Luke 8: 5-8)  

http://vine39.org/podcast/2019/7/16/planting-the-sower-and-the-seed-in-your-story

In his famous passage, Jesus tells his followers that it is their duty to follow the words of God if they want a chance of having eternal life in heaven. If they do not live is the seeds in the good soil, they will not go to heaven and everything they have will be stripped away. It makes sense that parables are a popular form of allegory in the bible since these sort of holy books are consistently trying to reach a mass audience with a clear goal that the authors want them to follow.  

It becomes clearer, now, why medieval and Middle Age literature uses allegory as a technique. These times had a primary focus on Christianity and many of the texts can be read with a Christian lens. It makes sense that  many plays have God and Satan as characters. And it makes sense that many writers such as John Milton use the bible as inspiration for their works. These writers have adopted the metaphorical stylings of other ancient allegorical techniques so that their messages reach as great an audience as the bible.  

Further Reading:

Study.com, Study.com, study.com/academy/lesson/allegory-in-literature-history-definition-examples.html. 

“THE PARABLE OF THE SOWER and Its Synoptic Interpretation.” Parable of the Sower, ww3.haverford.edu/religion/courses/301F09/Parable1.htm. 

“Allegory.” Allegory – New World Encyclopedia, www.newworldencyclopedia.org/entry/Allegory. 

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