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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Female Readership in the Middle Ages

by Olivia Mitchell

Medieval woman writing in a book
Bovey, Alixe. “Medieval Woman Writing in a Book.” Women in Medieval Society, 30 Apr. 2015, www.bl.uk/the-middle-ages/articles/women-in-medieval-society.

Women read. Throughout the world, female literacy rates are climbing steadily—according to The World Bank statistics, the entire planet has an adult female literacy rate of approximately 82.8% and it is expected to continue rising as better access to education is granted to young women and girls (“Literacy Rate”). Although women are huge consumers of literature, the availability of books to the female population was repressed for a long time—they didn’t need to read in order to have children, which was considered one of their main purposes. While reading literature from the Middle Ages through the 18thcentury, I’ve found myself curious about the target audiences of my text. Although women were reading and writing during this time period, it seems as though there is a common misconception that women simply were never given the opportunity to do either—after all, women have historically been given next to nothing when compared to men. It would be logical to assume that women, not being given equal access to education, wouldn’t have any opportunities to learn (especially when the percentage of literate people was fairly low in general). However, affluent women were expected to be at least slightly literate, if only to make them better mothers and wives (Pak).

“English School (17th Century).” Heritage Auctions, Heritage Auctions, 2018, fineart.ha.com/itm/paintings/english-school-17th-century-group-portrait-of-five-women-in-a-landscape-circa-1650oil-on-canvas33-3-4-x/a/5359-68021.s.

Then, of course, there are the women who sought a higher education than their peers and joined convents in order to achieve it. Nuns during the Middle Ages were expected to be able to comprehend biblical teachings, and reading was required. Nuns who were fully committed to their scholarship were given the same level of respect as the men in their class, and some went on to achieve college degrees (Pak). One group of literate nuns during this time were the Syon nuns, who spent their lives teaching religious texts. These women were masters of their subjects, and used teaching as a devotional activity (Grise). This was incredibly important to their duties as teachers; women weren’t allowed to preach, but they could instruct, and they did so through the literature available to them.

Not only devotional women were reading at the time—some wealthy families were able to give their daughters education, granting them access to literacy. One example commonly used in literary studies is the Paston family, who kept roughly a thousand letters, many written by Margaret Paston. Scholars take note of Margaret’s insistence on record-keeping and call into question the way that women were taught to both read and write, as the letters aren’t incredibly literary (Douglas). Through Margaret Paston’s letter-writing and documentation, we are able to see one of the many ways that women were involved in text and literature: practicality.

Works Cited

Douglas, Jennifer. “‘Kepe Wysly Youre Wrytyngys’: Margaret Paston’s Fifteenth-Century Letters.” Libraries & the Cultural Record, vol. 44, no. 1, 2009, pp. 29–49. JSTOR, www.jstor.org/stable/25549535.

Grisé, C. Annette. “Prayer, Meditation and Women Readers in Late Medieval England: Teaching and Sharing Through Books.” Texts and Traditions of Medieval Pastoral Care: Essays in Honour of Bella Millett, edited by Cate Gunn and Catherine Innes-Parker, NED – New edition ed., Boydell and Brewer, 2009, pp. 178–192. JSTOR, www.jstor.org/stable/10.7722/j.ctt14brsm6.20.

UNESCO Institute for Statistics. “Literacy Rate, Adult Total (% of People Ages 15 and above).” The World Bank, 2018, data.worldbank.org/indicator/se.adt.litr.zs.

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