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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Femininity In Doctor Faustus

In the play Dr. Faustus female characters are portrayed only in a sexual light. An example is seen in the character Helen of Troy. Helen of Troy is used as an object to please Faustus in order to keep him on the dark side. Helen was not conjured until the last act. She has the most status out of all of the women in play, yet she has no lines. She just enters on stage to stratify Faustus’s needs for a women. She just stands there and gets kissed by him twice and then leaves the stage to never be seen in the play again. While she’s onstage “Faustus relentlessly objectifies her. And yet, like so much else in the play, this can be read two ways: if the conjured Helen is real, Faustus’s treatment of her is selfishly arrogant; if, by contrast, ‘Helen’ is actually a devil in human shape, then Faustus’s lust is the pathetic result of supernatural manipulation” (Rasmussen & DeJong ). So women are either seen as a sexual conquest, something that men need for satisfaction, or used as manipulation to make men more susceptible to persuasion.

Rossetti, Dante Gabriel, 1828-1882. Helen of Troy. 1863. Artstor, library.artstor.org/asset/ARTSTOR_103_41822000855724

In the play, Faustus can be seen being susceptible to persuasion because of the character Mephastophilis. Mephastophilis in the first act is portrayed as a man. The devil and Mephastophilis continually, throughout the first act use peer pressure to make Faustus come to the dark side. When Faustus wants to go back to God and repent, Mephastophilis is now portrayed as a woman and manipulates Faustus into staying on the dark side. Another character on the dark side is the character Lechery. What gender do we identify Lechery as? If you said female, you are correct. We articulate seduction with the character Lechery.

The Devil and Dr. Faustus meet.. Artstor, library.artstor.org/asset/24746988

Seduction was very important in Renaissance Literature, it’s still seen as a feminine characteristic today. Females are seen as seductresses, even in society today, which is why Lechery is portrayed as a female character in the play Dr. Faustus. She is even called the mistress minx even before the viewers know that she is Lechery, one of the seven deadly sins. Her only line in the play is, “Who, I serve? I am one that loves an inch of raw mutton better than an eel of fried stockfish; and the first letter of my name begins with Lechery” (Marlow 698). Her only line was about penises which can tell the audience that this is what men expect from women. They expect women to talk about their penises and to seduce them.

Rembrandt Van Rijn. Faust (Dr. Faustus) (B.270). ca.1652. Artstor, library.artstor.org/asset/ACONNWETMOREIG_10313464870

Females are always presented in a sexual light. “This tradition of presenting beautiful women in terms of their effect on others is surprisingly constant in literature” (Maguire 50). All of the women mentioned in the play are all viewed as manipulative because of their gender. Women are means to an end and nothing more. In Marlowe’s Dr. Faustus, women are either seen as helpful or as a hindrance. Much like in the play Everyman, Beauty is seen as a hinderance.

Clip of Dr. Faustus Being Performed:

https://www.bing.com/videos/search?q=dr.+faustus+play&&view=detail&mid=10E30CD93FAF41D8166210E30CD93FAF41D81662&&FORM=VRDGAR

Works Cited

Maguire, Laurie. Helen of Troy : From Homer to Hollywood, John Wiley & Sons, Incorporated, 2009. ProQuest E-book Central, https://ebookcentral.proquest.com/lib/up/detail.action?docID=428103.

Marlowe, Christopher. Dr. Faustus. The Norton Anthology of English Literature. Simpson, James, et al. 10th ed., W.W. Norton, 2018.

Rasmussen, Eric, and Dejong, Ian. “An Introduction to Doctor Faustus: Morality and Sin.” The British Library, The British Library, 6 Mar. 2017, https://www.bl.uk/shakespeare/articles/an-introduction-to-doctor-faustus-morality-and- sin.

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