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Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Kissing in Sir Gawain and the Green Knight

Hicks, C. (2019). [image] Available at: https://www.instagram.com/p/Baqm9sjnfr4/?taken-by=hicksjenkins [Accessed 1 Oct. 2019].

Sir Gawain and the Green Knight is a tale of courage, deals, and truth. Along the way, there is a quite a bit of kissing that is important to the plot of the story. The way such kisses are exchanged, however, is unique and intriguing. Lady Bertilak kisses Sir Gawain, and Sir Gawain kisses Lord Bertilak. The physical exchanges between each of them are harmless and friendly enough, but the underlying tones of these encounters make the kissing more curious.

The First Kiss

When Lady Bertilak first approaches Sir Gawain in his chamber, she is extremely flirty. She tells him that she might “‘bind [him] in [his] bed’” (229) and “‘playfully parley with the man [she has] pinned’” (229). These two statements Lady Bertilak makes are full of sexual tension and insinuate sexual dominance over Sir Gawain. The reader is led to believe that the two will have an affair especially when Sir Gawain tells her he will “‘ attend whatever task [she] set[s], and in serving [her] desires I shall seek your mercy’” (229). The use of the word ‘desire’ here further solidifies the sexual nature of the scene. When the two actually touch, however, Lady Bertilak “kisses the knight… and without one more word the woman is away” (231). The drastic difference between the sexual nature of their conversation and the innocent and almost rushed way in which the characters interact confuses the plot for the reader and causes us to question what the kiss really means. One interpretation is that Sir Gawain is just being a courteous guest to his hostess. If he does not kiss her, his “restraint is interpreted as discourteous, perhaps even an insult towards” (Jucker 12-13) Lady Bertilak. So instead of the kiss being sexual or devious, it is an act of politeness.

The Second Kiss

Later the same day, when Lord Bertilak comes back from hunting, it is time for him and Sir Gawain to exchange their spoils as they have previously agreed upon. Since Sir Gawain didn’t gain anything physical the way Lord Bertilak did, it is unclear what he will exchange with the lord. When asked what he gained during his day at the castle, however, Sir Gawain “hugged the lord and kissed him in the comeliest way he could” (233), a gesture that surprises the modern reader. This kiss, like the one Sir Gawain shared with Lady Bertilak, is casual in nature but leaves the reader wondering what a kiss between the two men means. Lord Bertilak actually refers to the kiss as a “gift” and asks Sir Gawain where and how he received it (233). The use of the word ‘gift’ shows that Lord Bertilak values what Sir Gawain has given him, but the actual kissing is portrayed as so casual. Lord Bertilak’s tone is one of gratitude that relieves the sexual tension the reader feels. Furthermore, the kiss is viewed as a casual gift because Sir Gawain “has exchanged a kiss with the lady of the house, but in the evening he [passes it] to Sir Bertilak as part of their bargain” (Jucker 13). Sir Gawain, being a courteous guest, is able to appease Lady Bertilak by kissing her and Lord Bertilak by kissing him.

Conclusion

By the end of the poem, the kisses are eventually revealed to be a trick played on Sir Gawain by the Green Knight to determine his purity. The Green Knight does not even seem to be upset that Sir Gawain kissed Lady Bertilak multiple times, but that he lied about the girdle. The kisses had nothing to do with Sir Gawain’s purity, which desexualizes his interactions with both Lady and Lord Bertilak. This leads the reader to believe that kissing, in the context of Sir Gawain and the Green Knight is an innocent, courteous act.

           

Anon, (2019). [image] Available at: https://www.reddit.com/r/LiteratureMemes/comments/9x7ue0/sir_gawain_and_the_green_knight/ [Accessed 1 Oct. 2019].
  • Jucker Andreas H. “Courtesy and Politeness in Sir Gawain and the Green Knight.” Studia Anglica Posnaniensia, vol. 49, no. 3, Sciendo, 2014, pp. 5–28, doi:10.1515/stap-2015-0007.
  • “Sir Gawain and the Green Knight.” The Norton Anthology of English Literature: The Middle Ages. 10th ed. Ed. James Simpson. New York: Norton, 2018. 204-255.

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