• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Early British Survey

  • Early British Literature
  • Gender and Sexuality
    • Key Terms on Queer Themes in the Middle Ages
      • Queer Torture in the Middle Ages and Beowulf
      • Queer Acceptance in the Middle Ages and Sir Gawain and The Green Knight
    • Eve: More Than Just the First Woman
      • Eve: A Rebel in Paradise
      • Eve: The First Queer Woman
    • Gendered Betrayal in Medieval Arthurian Myths
      • Forbidden Love’s Betrayal
      • Punishments of Treason
    • Magic and Femininity
      • Magic and Femininity in Sir Gawain and the Green Knight
      • Magic and Femininity in The Faerie Queene
    • Magic and Gender in Arthurian Romance Poetry
      • Magic and Gender in “Lanval”
      • Magic and Gender in “Sir Gawain and the Green Knight”
    • 50 Shades of Courtly Love
      • Dominator in Love and Life
      • The Hue of Female Power
    • Adultery in the Middle Ages
      • Adultery in “Lanval”
      • Adultery in “Sir Gawain and the Green Knight”
    • Representations Of Femininity In Morality Plays
      • Femininity In Everyman
      • Femininity In Doctor Faustus
    • Monsters and Women
      • BEOWULF AND GRENDELS’ MOTHER
      • Satan and Sin
  • Politics, Power, and Economics
    • Shifting of Political and Economic Structures
      • Feudalism in Gawain and the Green Knight
      • Paradise Lost and Tracing the Fall of Feudalism
    • Knighthood in the Middle Ages
      • knighthood in “Lanval”
      • Knighthood in “Sir Gawain and the Green Knight”
    • The Divine Right to Rule: Past Perceptions of Monarchy
      • Sir Gawain and the Green Knight: A Condescending Commentary on the Monarchy?
      • The Faerie Queene: Spenser’s Ode To Queen Elizabeth I
    • Chivalry & Identity in Early Brit Lit
      • Chivalry in Sir Gawain and the Green Knight: the Establishing of a Literary British Identity
      • Chivalry in the Faerie Queen: Continuing to Establish British Identity
  • Religion
    • GOD: Humanity’s Most Influential Literary Figure
      • My Pain, Your Pain, His Gain: What God Means to Margery Kempe and Julian of Norwich
      • Respect My Authority: How God Rules Over Creation in Everyman & Paradise Lost
    • Imitatio Christi: How Doctor Faustus and Everyman Mimic Jesus through Suffering
      • Imitatio Christi: How Antagonists Mimic Christ
      • Imitatio Christi: Satan as a Jesus Figure
    • Depictions of the Devil in British Literature
      • Faustus: To Laugh Is To Be Against Evil
      • The Devil As Sympathetic: Human Qualities in Paradise Lost
    • Representations of Hell
      • Hell in Beowulf
      • Paradise Lost’s Liquid Hell
    • Medieval Mysticism: A Space For Women’s Authority
      • Julian of Norwich
      • Margery Kempe
    • God, Literature, and Religious Denomination in a Changing Christendom
      • Mysticism and Miracle in Catholic Europe
      • The Reformation and the “Intellectualization” of God
  • Nature and Culture
    • The Environment from the Middle Ages to Early Modern Period
      • Environment in Paradise Lost
      • Environment in Sir Gawain and Utopia
    • Kissing in Medieval Literature- Brooke Zimmerle
      • Kissing in Sir Gawain and the Green Knight
      • Kissing in Margery Kempe
    • Medieval and Early Modern Feasts
      • Feasts in Sir Gawain
      • “Meals in common”: Utopian Dining
    • Ars Moriendi and the Early Modern Period
      • Authors’ Views on Ars Moriendi
      • Ars Moriendi in Everyman
    • Games Medievalists Play
      • Beowulf’s Game: Battle
      • Sir Gawain’s Game: A Courtly Dare
  • Literary Concerns
    • A Brief History of Allegorical Literature
      • Allegory in the Middle Ages
      • 16th vs. 21st Century Allegory
    • Allegory in the Middle Ages and the 18th Century
      • Allegory in Everyman- pg3
      • Allegory Defined
    • Female Readership in the Middle Ages
      • Parenting Through Books
      • Julian of Norwich
    • Heroes of Epic British Literature
      • Beowulf as a Hero
      • Satan as a Hero – Paradise Lost
    • The Role of the Translator
      • Fixers and Their Roles in Translations of Medieval Texts
      • Translations and How They Change the Meaning of Medieval Texts
    • The Self in 15th and 16th Century Dramatic Literature
      • The Self in Everyman
      • The Self in Faustus

Representations Of Femininity In Morality Plays

By: Renee Kaldor

(Introduction Into Topic)

Candlemas Day and the Killing of the Children of Israel; Wisdom., opening, Folio #: fol. 157v-158r. 1512; 15th century, late. Artstor, library.artstor.org/asset/BODLEIAN_10310801492

What is a woman? How do humans characterize the female gender? This question of the female gender goes back to the beginning of time. The bible introduced two characters that were the so-called first male and female. The bible created a standard for both the male and female, through which society has essentially kept. Females throughout history have always been perceived the same way. According to society some traits are more feminine them masculine. In this website I want to focus on the distribution of certain feminine traits given to characters in mortality plays. I want to discuss why certain traits are received as feminine.

Morality Plays:

Morality plays are a type of dramatic allegory, performed in a theater. This type of play was very popular in Europe during the fifteenth and sixteenth centuries. These plays originated from religiously based plays that enforced Catholicism (“Morality Play”). The main point of morality plays are to show that only God leads to true salvation. Morality plays usually have a singular protagonist. The protagonist is tested by various antagonists that try to prompt the protagonist to choose a godly life over one of evil. Antagonists aren’t usually human, but rather personified vices that pull the protagonist to sin. (“Morality Play”). An example of this is the seven deadly sins in Dr. Faustus. Some protagonists are written to personify or represent the entire human race. An example of this is the play Everyman. According to the New World Encyclopedia, “the stories usually follow a path where the protagonist is tempted to sin by the antagonists and only through God does the protagonist find peace, salvation, or hope” (“Morality Play”). Although we will find out later that this is not always the case. Morality plays are allegorical so they are supposed to convey a certain message, and in medieval times the message was about God.

Education in Medieval England. 1612. Gender Inequality. wludh.ca. Accessed 23 November 2019.
Allegory:

An Allegory is a work of art that uses symbols to convey some sort of truth. The word allegory traces back to ancient Greece (“Allegory”). In some allegories characters personify concepts or abstract types. The action in the plot usually stands for something else. Something that is not explicitly stated. According to Merriam-Webster, “the term allegory can refer to a specific method of reading a text, in which characters and narrative or descriptive details are taken by the reader as an elaborate metaphor for something outside the literal story” (“Allegory”). In the case of our topic females can be made into allegories. Readers make assumptions about characters all the time based on how they act. Gender identity is represented throughout literature and it is blanketed with stereotypes.

Medical writings., Folio #: fol. 034v. 13th century, third quarter. Artstor, library.artstor.org/asset/BODLEIAN_10310368874

Morality plays are blanketed with the issue of gender identity. Morality plays solidify certain issues, like the way society perceives females. These plays discuss how society places certain traits as feminine and certain traits as masculine. The titles of morality plays are just like one might expect, they all have titles that are about men. For example,  Everyman literally stands for every single man. Dr. Faustus is literally about a man. Readers need to remember that these works were produced in a masculine environment. Morality plays won’t be about women and the women in the text may or may not be represented accurately. The important piece is that at least woman are being portrayed. On the next webpage I will use the concepts discussed on this page to analyze both the plays Everyman and Dr. Faustus. I will show how each of the plays touches on gender identity.  

Want To Learn More About Gender Inequality in Medieval Society? Here Are Some More Academic Websites:

http://wludh.ca/dh100/2015/Eur/MedEdEn/gender-inequality/

http://www.bl.uk/the-middle-ages/articles/women-in-medieval-society

Works Cited

“Allegory.” Merriam-Webster, Merriam-Webster, https://www.merriam- bwebster.com/dictionary/allegory.

“Eval Morality Play.” Morality Play – New World Encyclopedia,https://www.newworldencyclopedia.org/entry/Morality_play.

Primary Sidebar

Recent Posts

  • Hello world!

Recent Comments

  • A WordPress Commenter on Hello world!

Archives

  • August 2019

Categories

  • Uncategorized

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Copyright © 2025 · News Pro with Full Header on Genesis Framework · WordPress · Log in